News Archive » October 2003
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| OCTOBER 31, 2003 4:09PM |
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Mariah the West End girl
Firmly in the category of 'different' and 'unusual', Mariah Carey has chosen to make her theatrical debut on the West End stage recreating a role made famous by Marilyn Monroe on the big screen.
Ms Carey, a singer with a tremendous voice, will star in Terence Rattigan's play, The Sleeping Prince, which as a 1957 movie vehicle for Ms Monroe and Laurence Olivier was known as The Prince And The Showgirl.
The singer, who has had a tempestuous private life, will begin rehearsals in January and take the stage at, possibly, the Lyric Theatre on Shaftesbury Avenue in late February or early March.
Ms Carey's managers in New York and Los Angeles insist she is serious about wanting to act.
She was serious about acting on screen, too, and that was torture for her as much as for audiences.
However, she has been having lessons in voice projection, diction and in how to walk on and off stage with grace and elegance. The whole package.
She's desperate to be part of a theatre company and wants to be treated as a thespian, not a star.
She will leave her diva at the stage door because it is her dream - indeed, she believes, her destiny - to play the role of Elsie the showgirl on the London stage.
The play is about an American showgirl appearing in London while a European Prince is visiting the city.
Representatives of the Rattigan estate confirmed the plan to bring the play to the West End.
There's a song in it that Ms Carey, who played Wembley last night, will perform during what is hoped to be an 18-week run.
Ms Carey has long been a Monroe devotee, and four years ago paid £500,000 at an auction for Marilyn's babygrand piano.
The Sleeping Prince's producer, Bill Kenwright, was not available for comment as he was preparing to travel to New York for the opening on Sunday of his sell-out production of Cat On A Hot Tin Roof.
Source: This Is London
Mariah scary
Seven-octaves-of-sin Mariah Carey has chosen London to host her blinged-up Halloween party, a snip at a mere quarter-of-a-million pounds. After a gruelling five months touring the world (gruelling for the world, too), Mariah has chosen to unwind with spooky festivities at The Collection. After handing out invites tastefully decorated with snaps of herself in a witch costume complete with broom, Mariah is said to have had a special 'enchantress' costume designed for the night. This will enable her to float around looking smiley and spaced with no one batting an eyelid.
Source: People News
Pop Diva Mariah Returns in Triumph
Thousands welcomed the return of Mariah Carey, once the world’s best-selling female recording star, in London tonight after a three-year wait.
The 33-year-old singer strutted her stuff on-stage in a silver-sequinned bra and miniskirt, and stretched her five-octave range to belt out hits from her album Charmbracelet, including Boy (I Need You) and the Busta Rhymes collaboration I Know What You Want, during the Charmbracelet World Tour at Wembley Arena.
Introducing her song Through The Rain, she told the audience: “Thank you. How are you feeling? I’m feeling kind of good myself. Happy to be in London, I’ll tell you that much. I want to do a song for you that I wrote about perseverance and pursuing your own way. A very personal song.”
The curvaceous star also treated fans to a selection of her 15 number one singles, including Hero, Heartbreaker and Honey.
Carey is currently attempting to re-launch her career following the break-up of her marriage to head of Sony Tommy Mottola, which ended with her going through a very public nervous breakdown.
She is the world’s best-selling recording artist of the 90s, but was ditched by her label EMI last year.
The industry giants had signed her up for a record-breaking £70m, five album deal, but they decided there was no future in the star, and paid her £20m to extricate themselves from the contract. Carey was then taken on by EMI’s parent company Universal in May last year for £14m, and Universal gave massive backing to her album Charmbracelet.
The original Pop Idol Matt Goss started things going tonight as the warm-up act to the pop diva.
The Charmbracelet World Tour has been to Glasgow’s SECC, the NEC in Birmingham, and is due at Manchester MEN Arena on November 1 for the final show in the tour’s UK leg.
Source: The Scotsman
Mariah's very strange circus
The word on the street had it that Mariah Carey was in freefall. This is a woman who was deemed surplus to our listening requirements, an over-ornamentation on the crowded bangle of popular music.
Mariah - and that will be Mariah with an "h" if you don't mind, mister - has clearly not been listening to the word on the street.
She is right up there, charging £40 a ticket for the right to see her at Wembley Arena. Outside, the touts are offering front row seats, but they also want any spare tickets. In Wembley Arena terms, this is good business.
The joint is as jumping as this joint gets. Mariah makes a pointless entrance from the rear, like a two-bit boxer. I occasionally wonder why people do this. We know where the stage is, having looked at it for some time. They know where the stage is, having rehearsed on it for some time. So why mess up the natural order of things by coming in from the back?
Which is a question that might be posed about much of what follows. On the plus side, we have a woman who does not shatter glass either with her voice or her face. The band can play the notes in the right order and with some emphasis. Some songs have been selected that should not give anyone aural nightmares.
On the minus side, we have a show that has been designed for a small theatre off-Basildon. There are people clumsily pulling big curtains shut.
Someone with a concept has been allowed to fill the stage with pointless dancers, an apologetic marionette being pulled hither and thither by coloured ribbons, and a pair of people on stilts. Surely someone should have explained to Mariah this was not Covent Garden.
I am being cruelly flippant. Mariah has history. During a heart-rending song called My Saving Grace, we were privileged to learn that Mariah had once been a child. Imagine the innocent joy of that! Is it true she was signed to the embryonic Baby Motown label?
There was also video screen news of a breakdown. This must have been serious, because the pictorial evidence revealed it to be a three-sunglasses job.
And at the end of all those life-affirming songs that Mariah does best - and if I can paraphrase here, they all boil down to getting through the torrential downpour of life without a brolly - she pulled off a version of Def Leppard's Bringin' On The Heartbreak that was better than the original. Top that, Celine Dion.
Source: This Is London
Man accused of providing Mariah Carey manager's son with drugs that led to his death
A man accused of providing the drugs that caused the fatal overdose of the son of Mariah Carey's manager has been indicted in his death.
Christopher "Kit" Ridley, 21, of Bernardsville, was charged with strict liability for a drug-induced death in the indictment handed up Thursday by a Somerset County grand jury. Prosecutors claim he supplied Conor McNally, 21, and others with morphine during an early morning party McNally hosted in the carriage house of his family's Bernardsville property on June 18.
McNally was the son of Carey manager Louise McNally and her husband, Michael.
Authorities said Conor McNally, his girlfriend, Tiffany Rossi, and four others attended the party. Rossi called 911 after she was unable to wake McNally and one of the other guests later that day, and he was pronounced dead at the scene. Three other guests were briefly hospitalized.
Ridley, who could face 20 years in prison if convicted, is due to surrender Monday to Bedminster police. He was not immediately available for comment, but his attorney, Thomas Pavics, said Ridley maintains his innocence.
Source: Newsday
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| OCTOBER 30, 2003 4:34PM |
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Mariah In China
Mariah’s performance at the Hongkou Stadium in Shanghai will be far different from the other concerts given during her 2003 Charmbracelet World Tour.
The stage is said to be designed with Chinese features. It is also rumored that up to 34 songs will be performed during the 2 hour show.
Ticket prices range from $15 to $200. Initial reports suggest that Mariah won’t have much trouble selling out the 35,000 seat capacity venue. During the first day of availability, over 3,600 tickets were sold out of the box, setting a new ticket sales record. After five days of being on sale, the 8,000 available $15-priced tickets were sold out, with other tickets such as V.I.P. packages also selling respectably.
To celebrate Mariah’s concert, a fan party will be held at New World Disco in Shanghai on November 8th. More information can be found at www.mariahcn.com.
Mariah is scheduled to arrive in China via the Pu Dong Airport on November 9th at 1:30pm Beijing Time.
Source: Mariah China
Fans will have to wait for Mariah bio
We heard Mariah Carey's possible bio was canceled because her supposedly high-handed new manager, Benny Medina, formerly Jennifer Lopez's Svengali, supposedly outdiva'd Mariah and pulled her out of the deal.
Three words. For-get it. Morrow's book people put it differently. They're whispering she - coming from the Woody Allen school of negotiating - wanted $5 mil. When that wasn't happening, she slid to $3 mil. When that wasn't happening and the number was stabilizing at something maybe near $500,000 maybe, things got icky. Also sticky.
The more it was talked about, the less enthusiastic the publishers got. They realized she wouldn't be revealing anything revealing, they realized they needed a writer, they realized nothing they were hearing was worth that money.
So - and they and he and she will deny this - Benny Medina saved the day p.r.-wise by making it seem he was the heavy in the deal and taking the fall publicly.
Source: New York Post
Mariah Carey Extends World Tour
Mariah Carey has extended plans for her world tour, with new West Coast dates set through Dec. 22 in Costa Mesa, Calif. Beforehand, Carey will also visit Shanghai and Manila in mid-November. The artist plays London's Wembley Arena tonight (Oct. 30) and will be in Europe through Nov. 7 in Milan.
Carey's outing got off to rocky start this summer, when a planned arena tour was downgraded to theaters. But the shows have gone off without incident since then and have done solid business; 15 concerts reported to Billboard Boxscore have grossed about $4.2 million and have played to 78% capacity.
The artist has reached out to her fans, allowing them to request songs via her official Web site. Fans can now choose one song ("One Sweet Day," "Love Takes Time," "Vision of Love" or "Can't Take That Away (Mariah's Theme)") to be added each night to the remaining shows.
Source: Billboard
Visions of Mariah
Mariah Carey is coming to Manila! But just a year before coming here, she’s been through hell and back. She survived one of the lowest points of her life and career with sheer endurance, gritty determination and a talent not even the devil can deny.
In her past interviews, Mariah openly talked about her struggles as a multi-ethnic teener who encountered racial discrimination, as an aspiring singer who rose above her poverty-stricken background.
Mariah’s Cinderella story could very well be the story of her many fans. Before hitting it big with her powerhouse voice, she worked as a waitress and admitted to being fired from "20 restaurants" because of her sassy "attitude." She also labored as a coat checker, beauty salon janitress and part-time backup singer.
It was that last gig as backup vocalist for R&B chanteuse Brenda K. Starr that changed Mariah’s destiny.
For Mariah’s mom Patricia, an opera singer and vocal coach in her younger years, there was no doubt that her daughter was bound for greatness. It was her mom who first noticed Mariah’s unique musical gifts as a child.
"From the time Mariah was a tiny girl, she sang on true pitch," mom Patricia said, beaming with pride. "She was able to hear a sound and duplicate it exactly."
Mariah’s mom nurtured and honed the child’s talent by giving her lessons at home. To further polish those precious pipes, Mariah also performed in talent shows and folk music festival. She also sang for friends and studied voice under professionals as early as her high-school days.
As they say, practice makes perfect and the same pitch-perfect diva is now drawing crowds and filling up stadiums to the rafters the world over.
After charming all of North America and Europe, this Grammy-winning diva hits Asia with her highly anticipated Charmbracelet World Tour 2003.
Of course, her world concert tour wouldn’t be complete without a stop in the Philippines.
As such, she is set to headline a memorable night of music and memories in the Manila leg of the Charmbracelet tour, which will be held at The Fort Open Field on Nov. 16.
The world tour, presented by Globe’s G plan opti SIM, the world’s most powerful SIM, Petron Blaze and Tommy Hilfiger Watches serves as a triumphant climax for Mariah’s successful comeback bid, which began with the December 2002 release of the chartbusting CD Charmbracelet. The album has sold more than a million copies in the US and a whopping three million copies worldwide.
The Charmbracelet album includes such popular favorites as Through the Rain, Boy (I Need You), and Bringin' on the Heartbreak, as well as her collaboration with Busta Rhymes, I Know What You Want.
In more ways than one, the tour serves as Mariah’s thanksgiving to her legions of fans who never wavered in their support for her, in spite of the ups and downs of her colorful career.
The Manila show, her very first concert appearance in the Philippines, promises to be an eventful evening for both the diva and her Pinoy fans.
"I am passionate about doing something more intimate for my fans," Mariah told the media. "I’m used to do doing arena tours. But, this tour is about my music and my fans."
Since debuting in the music scene in 1990 with the soaring ballad Vision of Love, Mariah has been churning out hit after hit. Her very first single, in fact, cinched for Mariah two major Grammy trophies for Best New Artist and Best Female Pop Vocal Performance.
Declared Artist of the Decade in the ’90s by Billboard Magazine, Mariah set the record for the most no. 1 singles by any female artist (she has 15) on Billboard’s Hot 100 Singles chart. One Sweet Day, her 1995 collaboration with another recent Manila visitor Boyz II Men, still holds the record for most weeks at the No. 1 spot – that’s a remarkable 16 weeks on top.
In deed, her Manila show will be One Sweet Day for her countless Pinoy fans.
Before her Manila stop, Mariah performed at Wembley Arena in London, at the Manchester Evening News Arena in Manchester, at Bercy Palace in Paris, at the Filaforum in Milan, and at the Hong Kou Stadium in Shanghai.
After Manila, Mariah will bring back her tour to the US in Universal City, in Las Vegas, and in Costa Mesa.
The Manila leg of the Charmbracelet tour is set on Nov. 16 at The Fort Open Field, Fort Bonifacio, Bonifacio Global City, Taguig. Mariah Live in Concert: The Charmbracelet 2003 World Tour is also presented in cooperation with No Curfew, The Official Tommy Hilfiger Watch Store and GMA Network and in part by The Manila Bulletin, The Philippine STAR, Teazann International, East West Global Entertainment, MTV Philippines, Wave 89.1, Jam 88.3, Magic 89.9, Joey 92.3, 99.5RT, 103.5 K-Lite, Crossover 105.1, Me, Meg, Mega, Manual, My Home and BluPrint magazines.
Tickets are available in Ticketworld in all National Bookstore outlets. For inquiries, call 891-5610.
Source: The Philippine Star | Randolf Castillo
News Tidbits
-- "The Remixes" remains at #1 on Billboard's Top Electronic Albums chart for the second week in a row. It drops to #80 on The Billboard 200.
-- Globaldust is a web site that tracks artists' worldwide demographics. Mariah is number 2 on the site, behind Clay Aiken and just ahead of Kelly Clarkson and Bon Jovi. If you have not done so, please register and show your support for Mariah by logging on to globaldust.com
-- In the coming weeks Mariah's official fanclub, Honey B. Fly, will be holding contests for members to receive limited edition Japanese imports of Charmbracelet as well as various items from the Charmbracelet Tour. Join Honey B. Fly Now to be able to take part.
Source: Steve Burt | Richard
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| OCTOBER 29, 2003 3:39PM |
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More tour dates announced
In addition to the six new Asian and American dates added to the 2003 Charmbracelet World Tour, below are four official additions that have just been announced today:
December 9, 2003 - Portland - Arlene Schnitzer Hall
December 10, 2003 - Seattle - McCaw Hall
December 12, 2003 - San Jose - Hewlett Packard Pavilion
December 15, 2003 - Santa Barbara - Arlington Theater
Voice outshines the glitter
It was all about the glitter as troubled diva Mariah Carey brought her Charmbracelet to Birmingham.
Numerous sets and costume changes dazzled the crowd but could not overshadow her powerful voice.
Opening to a Moulin Rouge themed stage, Mariah walked through from the back of the Arena in a sparkling pink mini-dress that barely covered her bottom with bouncing, big blonde hair.
But she did not disappoint as she broke into Heartbreaker and showed the crowd just what she could do by reaching octaves other stars can only dream of.
Early hits Dreamlover, My All, and Honey received rapturous applause, more so than her latest tracks from the Charmbracelet album.
Slipping into a little gold number, Mariah continued as the set changed to a circus and although she didn’t dance the extras on stage provided the extra entertainment for the crowd.
Mariah has bounced back despite her £19 million pay-off from EMI Records to end her five-album deal nearly two years ago.
She reminded the crowd of this as she explained her song Through the Rain was all about perseverance and carrying on.
Despite being a petite figure she the diva oozed personality and commanded the audience’s attention as she made quirky anecdotes and drank tea on stage.
Mariah’s duet with rapper Busta Rhymes I Know what you Want was a summer smash hit but wasn’t quite the same when sung without the R&B artist by her side.
Although her faster tracks were popular, it was the slow love songs that stretched Mariah’s voice that truly showed what a talent the 33 year old singer still is.
Mariah may not be as cool as she once was but one thing’s for sure she still has the multi-million pound voice.
Source: Birmingham Post
Taking tea with Mariah
Mariah Carey has a reputation for being demanding, so we feared a 'diva moment' was imminent from the start of her NEC concert.
After walking like a prize fighter, surrounded by a posse of minders, from the back of the arena to the stage the 33-year-old performed Heartbreaker, then took a sip of tea through a straw in a beaker.
Grimmacing, she announced: “There’s something in my tea and it’s disgusting.” The audience held its breath. Would we see a tantrum? Would Mariah storm off?
She just smiled and picked up another drinks container. “I’ve got another one just in case,” she said, obviously taking her reputation with a pinch of salt.
Later in the two hour show her hairdresser joined her in the spotlight to tidy her hair.
“Everyone says I do diva things, so I thought why not have my hair crimped while I’m on stage?” she said.
This was a show that had everything. The sets were extravagant, the dancers energetic and the costumes eye catching.
Mariah began in a teeny flapper-style dress, changed to evening wear, then a mini skirt. Denim hot pants followed and then what can only be described as a piece of material wrapped tightly round her to just about cover the important bits while she wriggled on a piano singing Subtle Invitation.
Later there was a long evening dress, running shorts and a formal outfit fringed with feathers. This girl does not travel light and with each change of costume there was different hairstyle. Goodness knows how many cans of hairspray she went through.
But the visuals did not detract from the music - 18 songs, including big ballads, hip hop duets, multi-octave epics and a cover of Def Leppard’s Bringin’ On The Heartbeat complete with a heavy metal guitar solo by Vernon ‘Ice’ Black.
Even Leppard themselves didn’t perform that when they played in Birmingham on Sunday.
To finish there was Hero and a quick foray into the audience to shake hands. A knockout win for the diva.
Source: Evening Mail
Mariah Carey visits 40/40
Mariah Carey may have pulled on a show in front of die-hard fans at Radio City Music Hall several weeks ago but the diva was quite the shy-girl at the 40/40 Club here in New York. She ordered one drink, had one conversation and exchanged one 2way address.
Source: Groove Volt
Mariah Carey's Latest Entourage Member
The Daily Mail reports Mariah Carey has added another flunky to her entourage. The latest diva must-have, incorporated into her mini-army of Mariah flunkies, including make-up artist, hair stylist, dresser, masseuse, bodyguard and chef is her TV consultant. What does the TV consultant do? Vetoes unflattering angles during shooting.
Source: Pop Dirt
Carey story with a cautionary note
A shopping mall Sharon Watts, Mariah Carey’s brand of down-home toothsomeness and accessible, tunes once attracted unimaginative housewives and directionless clerical assistants like moths to an old jumper. "She. Is. So. Inspirational!" panted one middle-aged admirer, tears spraying over the top of her bottle-top glasses with such force that they threatened to drown the cameraman of Mariah Carey: Billion Dollar Babe. With fans like that, we thought, it’s a wonder it took Carey’s nervous system so long to implode.
But implode it eventually did, characterised, in 2001, by a horribly confused MTV appearance that, following a desperately ill-advised striptease, ended in the songstress being admitted to hospital suffering from "extreme exhaustion". In an effort to add a different slant to its guests’ opinions while simultaneously attempting to reflect the skewed mental condition of its quarry, Billion Dollar Babe’s numerous commentators were shot from a variety of "unusual" angles. Paul Morley, for example, appeared to be falling backwards, his thick neck pressing against the underside of his fat jawbone. Another journalist, meanwhile, seemed to be leaning, stiff as a board, at a 37-degree angle, as if using himself as a spirit level. However, such maverick camerawork failed to have any effect on the assembled noise-makers’ comments, which, rather than shooting out of their mouths at said exciting new angle, came out all normal and boring instead.
Most opinions centred on the rubbishness of Carey’s decision-making process, with entertainment reporters bemoaning her cosmetic enhancements and a couple of biographers banging on about her questionable taste in men. Only Morley demonstrated any real empathy. The writer raged against the hypocrisy of the music industry, a medium that demanded Carey’s distinctly un-peachy-clean background be airbrushed to the point that all the interesting bits (she was the product of an interracial marriage, her elder sister was a prostitute, etc) were "literally bleached out".
Yet, ironically, Carey’s latter-day quest to return to her musical roots has proved as false as her breasts. As hinted at by her freshly booty-fied image, her post-breakdown, freshly-renovated R&B thang is, in fact, as authentic as a packet of Cheese Strings. Billion Dollar Babe’s repeated, blunt assertions that this was a "cautionary tale" wound up in a suitably curt moral. "Well?" it asked. "What did you expect?"
A question directed not, surprisingly enough, at Mariah - who had, after all, dared to agree with 95 per cent of the population by wanting to be rich and famous and thus deserved every droplet of soul-wringing misery that was coming to her - but to us. Just as one can’t make an omelette without breaking eggs, one can’t concoct a fluffy pop confection without squishing a few vulnerable brain cells. Frankly, it’s a miracle more fame-peddlers don’t flip their expertly coiffured wigs. But fame’s effects are far-reaching. It incubates an unquestioning allegiance to the notion of celebrity, encouraging Joe and Josephine Public to accept it as an altered, higher state of consciousness in which golden-winged super-beings dazzle and tempt us with their emotion-free, Stepford perfection. All things considered, Carey got off lightly. It’s us we should be worrying about.
Source: The Scotsman
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| OCTOBER 28, 2003 6:10PM |
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New Tour Dates Added
Mariah has added the following dates to her Charmbracelet world tour.
November 12 - the Hong Kou Stadium in Shanghai, China.
November 14 - the Hong Kou Stadium in Shanghai, China.
November 16 - The Fort in Manila, Philippines.
December 17 - The Universal Amphitheatre in Los Angeles.
December 20 - The Aladdin Theatre in Las Vegas.
December 22 - The Performing Arts Center in Orange County, CA.
Check back soon for more dates to be announced!
Source: MariahCarey.com
Mariah ringtones are here
ATT, Verizon, Sprint, Nokia, Motorola, Virgin and many other carriers now have several Mariah Ringtones for download. Please visit your Cellular carrier to find out how you can grab one of the following Mariah Carey Ringtones that are available.
Available Ringtones:
Make it Happen
Dream Lover
Fantasy
Heartbreaker
Through the Rain
You Got Me
Yours
Source: MariahCarey.com
Mariah to add more US tour dates?
Second time's the charm? Representatives for Mariah Carey, who bailed out of a Sacramento date on her Charmbracelet Tour earlier this year, are apparently testing the waters in Sactown again for a possible December date. We'll keep an eye on this one.
Source: Sacbee.com
News Tidbits
-- The photo to your right was taken during Mariah's concert in Glasgow, Scotland on Oct 25th. Click here for a larger, full-scale view of it. The photo is quite large, so please allow time for it to load.
-- Soundscan reports that "The Remixes" debut week total sales in the US was: 40,700 copies.
-- Tickets to Mariah's show in Manila, Philippines are available to purchase online here. Apparently the venue holds close to 30,000 seats.
-- Tickets to Mariah's show in Shanghai, China are available as well and Peter has scanned his ticket as well as an ad for the concert.
-- Sony Music Australia has created a webpage for "The Remixes". You can enter the site here.
-- Benny Medina has officially joined Mariah's management team in addition to her current manager Louise McNally. Louise was on E! News today, talking about Mariah's tour and that she's starting to work on a new album.
-- Mariah Daily would like to re-activate our Charmbracelet world tour micro site. Please send us as many photos and reviews as possible from the recent concerts you attended. Thank you!
Source: Chris | Shayne | Peter | Neil | pegarner
Magazine News
-- Mariah appears in the November 4th issues of US Weekly, In Touch, National Enquirer, Star, and Globe magazines. Most of the pictures are from Mariah's arrival and appearance at the World Music Awards.
-- Mariah is on the cover of a magazine called "Young Voices" in the UK in the November 2003 issue. There is a 4 page interview and a big pullout poster in the middle.
-- In France, Mariah is in the cover of Maximale (French edition of Maxim) and Télé cable satellite magazines this week. Click here to see the cover of Tele Cable Satellite magazine.
Source: Brian | Paul | Mariahfanclub.com
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| OCTOBER 28, 2003 7:17AM |
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Benny manages J.Lo-to-Mariah move
Four months after an acrimonious split with Jennifer Lopez, mega-manager Benny Medina has attached his rocket power to Mariah Carey. But the controversial star-shaper is already ruffling feathers.
"He's coming in like Mr. Know-It-All," snipped one source. "Mariah was working on a book deal with HarperCollins. He wanted to kill it because the deal wasn't done by him, and now he's involved."
Medina confirmed that his company, Handprint Entertainment, is "consulting on all aspects of Mariah's career."
And that includes nixing the deal with HarperCollins.
"I guess I am the spoiler," Medina told us. "Mariah had a tremendous idea [for a book]. She was engaged in discussions. But we just decided, based on other opportunities, to table it for now."
The superfit 33-year-old, whose "Charmbracelet" sold a million copies, has lots of notes left to sing before she takes a look back, Medina inferred.
"What it boiled down to was whether a book was the best use of her time and energy right now," he added.
Medina denied claims, also leveled by the snitch, that he was behind diva-esque demands made by Carey during a recent stay in Monaco for the World Music Awards.
In four deluxe hotel suites - rented just for her - she wanted fresh flowers throughout, six humidifiers, an exercise bike and special lighting, it was reported.
"I wasn't in Monaco," Medina scoffed. "I can honestly say I ordered not one candle, not one flower, not one car."
He explained, "Mariah flew over for a day from Germany, at the request of Prince Albert, to receive a lifetime achievement award. She asked for nothing."
In July, former client J.Lo launched a $100,000 lawsuit against Medina, claiming she felt "wronged and misrepresented" by the showbiz Svengali, who basically turned her from a lowly Fly Girl into a superstar, with movies, records, clothing lines and endorsement deals.
Let's see what he can do for Mariah.
Source: New York Daily News
Me-me-me Mariah Carey
Mariah Carey — renowned worldwide for being pop’s most demanding diva — has not lost her touch.
She arrived in London at the weekend for a two-day promotional tour with a list of requests that put J-Lo and Britney in the shade.
Mariah checked into the five-star Claridges Hotel and asked for two DVD players for her penthouse suite. Nothing wrong with that, you might think. But staff were stunned when they heard the only DVDs she was interested in watching were ones of herself.
She also asked for six de-humidifiers to protect her voice, an extra suite to use as a giant wardrobe and chilled Evian mineral water in “plastic bottles only”.
And the unlucky porters had to lug 43 suitcases up to her room plus a trunk full of make-up.
A source close to the prima donna said: “Mariah is as well known for her demands and huge entourage as she is for her voice. Every time she goes abroad, her team have to organise everything down to the smallest detail. The de-humidifiers keep the place warm and protect her from losing her voice.
"She never knows what to wear so insists on bringing everything with her. Most of the hotels she stays in are used to accommodating famous people so it’s rarely a problem.”
Mariah’s latest list comes just weeks after she caused havoc with similar requests at the World Music Awards in Monte Carlo.
Source: The Sun
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| OCTOBER 27, 2003 4:33PM |
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Dogged determination in hotpants
There's something of the plucky little terrier about Mariah Carey. An early marriage and divorce from her svengali husband Tommy Mottola produced an I Will Survive-style determination in the formerly docile multi-million-selling singer to reinvent herself as a financially and emotionally independent woman who can wear her hotpants as short as she darn well likes.
That's exactly what she did on the opening night of her Charmbracelet British tour in Glasgow, named after her comparatively unsuccessful current album, which charted at number 58 earlier this year and has yet to sail much higher. Her current status was reflected in the fact that a good two thirds of the 8,000-seat hangar was curtained off, and while no aspect of her star-spangled, Moulin Rouge-invoking stage show was held back in the light of reduced audience numbers, there was something in Carey herself that was.
Although her costume changes - from the aforementioned not-so-much-hot-as-sizzling pants in which she debuted from the back of the hall, surrounded by heavies like a champion fighter, to an array of Oscar-winning evening dresses - were a knockout, and Carey's voice as staggeringly rangy as ever, a superfluous trio of giant screens highlighted a sense that she was doing all this through gritted teeth.
Her smiles were fleeting and rictus-ridden. Her highest notes, while still higher than any living singer in the pop genre, were clearly displayed more out of duty than feeling. You could almost see her wondering why she bothered with it all when so few people are buying her albums.
Importantly, Carey is still making great singles. Her summer hit with rapper Busta Rhymes, I Know What You Want, doesn't even feature on Charmbracelet and yet is her best record since 1995's Fantasy, which she performed in a pair of hot-pink glorified knickers to hysterical approval.
When rolling out the hits, such as Honey, Dreamlover and - the cause of her biggest rictus grin - her cover of the Jackson Five's I'll Be There, Carey's set was pop heaven, complete with Pan's People dancers. But with stars as big as these, you want visible proof that they are giving their all just for you. Mary J Blige does it every time. Kylie, despite the lack of huge voice, does it because she knows she has to.
If Carey wants to maintain her place in the pantheon, she's going to have to fight a little harder.
Source: The Telegraph
Mariah Carey in Glasgow
Mariah Carey should be sexy, and perhaps to some people she is. Tonight she sports a series of shiny dresses, walks with a dainty shuffle, flicks her hair, flutters her eyes and, perched on a piano centre stage, accidentally flashes her knickers. It's all a bit embarrassing.
Then again, arenas have never been the best places to develop an erotic frisson. Big gestures are better, and Carey's bustling Charmbracelet tour certainly does not stint on spectacle. Dancers strut their stuff, backing singers compete to out-warble each other and two suited men on stilts pull a girl from side to side with bits of string. A man dressed as a clown paints Carey, showing the audience the results before starting afresh, keen to capture the elusive spirit of the artist in all her trials, triumphs and costume changes.
Carey has certainly had her problems. She suffered a breakdown in 2001, her semi-autobiographical movie, Glitter, was universally panned and she was paid $28m (£19.6m) to leave EMI after the first album of a five-record deal. Such setbacks merit a degree of sympathy, but it's hard to muster too much compassion for a woman who thinks an octave-strafing shriek is the best response to inner turmoil.
Most of the capacity crowd don't seem to share these reservations, cheering mightily when asked to chose between Petals and Can't Take That Away. Sensibly, she plays Can't Take That Away, which is the one on the set list.
It's not all bad. Fantasy sources Talking Heads, while Hero carries all before it - almost - on a wave of melodrama. And Carey does something to scotch her reputation as the biggest diva in the business by getting on famously with her backing band. She still has her career, and she still has her fans. But, as titles such as Glitter and Charmbracelet suggest, Carey the performer is all about surface sheen. Baubles are fine. You just wouldn't want to spend an hour and a half staring at one.
Source: Guardian Unlimited
Mariah Carey Live
There is no point beating about the bush, when one can offer an eyewitness account: Mariah Carey is batty. We can all have fun with the stories about her demands for puppies to fondle on her tour rider (can anyone imagine such entertaining, eccentric behaviour from the ruthlessly efficient music machine Celine Dion?) but, at various junctures during Saturday night’s proceedings, it felt almost uncomfortably voyeuristic to be party to this baffling cabaret.
Once a safe, super-confident, composed diva, Carey now resembles one of the surgically enhanced blow-up doll freaks who inhabit Russ Meyer’s exploitation movies. But her plastered-on make-up could not mask the air of desperation, as she scrabbled to retain her dignity and, more importantly, the commercial pulling power of her ability to straddle 30 octaves, or whatever it is that she does to compensate for her lack of emotional veracity. Those who have not deserted mad Mariah for kinky Christina remain fixated.
If audience goodwill could secure an artist’s creative prosperity, Carey would have been at the top of her game during this concert. But not even the diva requirements of slick session band, dutiful dancers and a random chaise-longue could paper over the cracks in this confounding stage production, where the track Clown was interpreted literally with a bustling circus routine, while Fantasy was accompanied by a meaningless display of dayglo writhing.
During Can’t Take That Away, Carey, overwrought in gold lamé, staggered about like a pop Blanche duBois, batting away invisible neurosis. Later, she descended from the heights on a white silk swing as brass players were silhouetted cheesily against the curtain. Her on-the-road stylist scampered on to fluff her hair. It was unclear where ill-conceived artistic credibility ended and droll play-acting began.
Backing singer Trey performed an interminable, humdrum number; three days later, Carey returned to the stage, clad in a shimmering handkerchief kindly donated by Cher, before she donned the feathered gown for the encore, still waving vacantly at the audience, still producing notes that suggested she won’t go down without a fight. It was a bumpy night.
Source: The Scotsman
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| OCTOBER 26, 2003 8:41PM |
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News Tidbits
-- The Sunday Mail reports, "Pop diva Mariah Carey showed how happy she was to be in Scotland last night by donning a micro kilt backstage before her gig at Glasgow's SECC. And when she took the stage she sizzled in a skimpy sequinned top and matching mini." Click here for a larger, full-scale view of Mariah wearing her micro kilt! The photo is quite large, so please allow time for it to load.
-- Be sure to vote for Mariah in Rolling Stone Magazine's 2003 Readers Poll. Mariah is eligable for Artist of the Year, Best Female Performer, Best Album, Best Single, Best Video, Best Tour, Best Album Cover, Best R&B Artist, Best Dressed, and Most Welcome Comeback. Please vote for MariahDaily.com for Best Online Fan Site. Voting ends December 23rd.
-- "What Would You Do," Mariah's collaboration with Nate Dogg, was #1 last week on Soundmagnet, an online radio station. "Bringin' On The Heartbreak" was also #1 on this station several months ago.
-- The Michael Jackson charity single "What More Can I Give," which was recorded in 2001 and features vocals by Mariah in both English and Spanish, will be available as an online downloadable single starting Monday, October 27th at 3:00 p.m. Pacific Standard Time. Log on to musicforgiving.org for more information.
-- From the Toronto Star: "A decade ago, Mariah Carey, Meat Loaf and Toni Braxton topped the charts with tunes about true love and heartache. Flashback just five years and eight of the top 10 hits were still full-on love songs, from Aerosmith's 'I Don't Want to Miss a Thing' to a remake of the Bee Gees' 'How Deep is Your Love.' These days, you wish you had a dime — make that 50 Cent(s) — for every time you heard a raunchy rhyme calling the fairer sex slime. Or just telling girls to shut up and shake their assets."
-- Steve is creating a birthday book for Mariah's upcoming birthday, which will be presented to Mariah on March 27, 2004. If you would like to contribute to the book please send your entries to the address below by December 31, 2003. If you have any questions or comments regarding the book, contact Steve at Greekkatsikaras@msn.com.
HBF Contributions
P.O. Box 658
Lowell, MA 01853
USA
-- For three hours yesterday, Mariah counted down her favorite music videos for BET's Top 25 Video Countdown. She took time between several of the videos to make comments on them, and to promote her album, "The Remixes." Here are Mariah's selections:
25) Busta Rhymes & Mariah Carey – I Know What You Want
24) Jermaine Dupri featuring Judacris – Welcome To Atlanta
23) Mariah featuring O.D.B. – Fantasy (Remix)
22) P. Diddy – Bad Boy For Life
21) Mariah featuring Krayzie Bone & Wish Bone – Breakdown
20) OutKast featuring Killer Mike – The Whole World
19) Mariah featuring Nas & Joe – Thank God I Found You
18) Elephant Man – Pon De River
Bonus Video – Mariah Carey – Emotions
17) Jaheim featuring Tha Rayne – Fabulous
16) Da Brat featuring Cherish – In Love Wit Chu
15) Snoop Dogg featuring Pharrell – Beautiful
14) 50 Cent featuring Snoop Dogg & G-Unit – P.I.M.P
13) Mariah featuring Mobb Deep – The Roof
12) Pharrell featuring Jay-Z – Frontin’
11) Nas – I Can
10) M.O.P. featuring Busta Rhymes & Teflon – Ante Up
09) Common featuring Mary J. Blife – Come Close
08) Mariah featuring The Lox & Mase – Honey (Remix)
07) Chingy – Right Thurr
06) Aaliyah – Miss You
05) Beyonce featuring Jay-Z – Crazy In Love
04) Bone Crusher featuring Killer Mike & T.I. – Never Scared
03) OutKast – So Fresh, So Clean
02) Missy Elliott – Get Ur Freak On
01) Mariah featuring Da Brat & Missy Elliott – Heartbreaker
Source: Josh | Gary | Mame | Steven | Steve
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| OCTOBER 24, 2003 5:29PM |
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Carey confirms concert
Mariah Carey's high-octave voice will soar skyward in Hongkou Football Stadium on November 12, as organizers yesterday confirmed the pop diva's concert.
Carey is currently on a world tour and Shanghai will be the last stop.
This is her first and only concert in China and is part of the ongoing Shanghai International Arts Festival. Ticket prices range from 120 yuan (US$14) to 1,600 yuan.
Carey was slated to perform in Shanghai earlier this year, but her concert was canceled due to the SARS outbreak in April.
"It is a grueling process to re-invite her. She won't perform in other Southeast Asian countries, where she was previously scheduled to perform but canceled due to the SARS panic" said Yu Suqin, manager of Shanghai Arts Corp, one of the organizers. "But we finally made it, and Mariah said she was very excited about the concert."
Yu revealed that Carey's concert will last at least 90 minutes and she will choose songs that were "especially loved by Chinese audiences."
Guest stars have not been determined and organizers declined to disclose Carey's appearance fee, but claimed "it was very reasonable."
The 33-year-old songbird was one of the world's top recording artists throughout the 1990s, and has sold more than 130 million albums across the globe.
Source: Shanghai Daily News
Mariah wears the trosers for big city gig
Rock diva Mariah Carey has given Scots fans a taste of what they can expect at the SECC tomorrow.
The sexy singer has picked a pair of tartan trews for one of her stage outfits on the tour. She may have ditched sex kitten cuteness for growling guitar chic but has still managed to retain her talent for revealing as much flesh as possible. The pop princess apparently can't wait to check out her army of male admirers when she hits Glasgow!
She is known to have a penchant for men in kilts and is said to be hoping some of her male fans will wear the national garb at her city gig.
Mariah was warming up for the concert when she gave photographers a sneak-preview of her surprising glamour-to-grunge transformation. But the tartan is only one of eight costumes she will be sporting during her sensational world tour which features a support slot by former Bros star Matt Goss. ROCK diva Mariah Carey has given Scots fans a taste of what they can expect at the SECC tomorrow.
Source: Evening Times Online
Mariah's checking Scots out
Mariah Carey is tartan up her image for her first-ever Scottish gig at Glasgow's SECC tomorrow.
The world's biggest-selling female singer plans to wear a kilt on stage as well as her usual stunning outfits.
And while her fans will be watching her every move, she'll be checking out the front row for a potential boyfriend.
Mariah, 33, said: "It's no secret I'm looking to find a nice man and I think Sean Connery is very sexy. This is my first time in Scotland and I've heard Scots men are both sexy and faithful two requirements I want. So you Scottish men better be ready I'm going to keep an eye out."
Mariah's past love affairs with Tommy Mottola and Luis Manuel ended in heartbreak, and after being single for more than two years, she's ready to get back in the dating game.
A pal said: "Mariah is hot property. She is catching everyone's eye again."
Source: Daily Record
Billboard Magazine reviews "The Remixes"
Mariah Carey's legion of hardcore fans—of which there are still plenty —will wholly embrace this two-disc collection, which arrives on her former label. Disc one is home to nine dancefloor anthems, including Robert Clivilles & David Cole's gospel-dripping re-rub of "Anytime You Need a Friend" and the duo's disco-etched take on "Emotions." DJ/producer David Morales, Carey's longtime collaborator, is well-represented; his additional production work on "Dreamlover" remains fresh and alive —10 years after it topped the Billboard Hot Dance Music/Club Play chart. Those in search of the artist's R&B/hip-hop jams need look no further than disc two. Her collaborations with O.D.B. ("Fantasy"), Joe & Nas ("Thank God I Found You") and Da Brat & Missy Elliott ("Heartbreaker"), among others, are all here. The disc closes with the sublime, sexed-up and swoon-worthy Carey/Busta Rhymes pairing, "I Know What You Want."
Source: Billboard Magazine
News Tidbits
-- Mariah has added three new dates to the 2003 Charmbracelet World Tour: November 12 and November 14 at the Hong Kou Stadium in Shanghai, China and November 16 at The Fort in Manila, Philippines.
-- "Bringin' On The Heartbreak" reaches #9 in its eighth week charting on the November 8 issue of Billboard's Hot Dance Music/Club Play chart.
-- "The Remixes" debuts at #1 on Billboard's Top Electronic Albums chart. The album also debuts at #60 in France, #72 in Italy, and slides to #92 from #70 in its second week in Switzerland and from #35 to #52 in its second week in the United Kingdom.
-- This is a list of the latest world certifications of top 100 selling albums. Mariah is included on the list with her albums "Music Box," "Daydream," "Mariah Carey," and "Butterfly." Click here for complete details.
-- Martijn from The Netherlands is busy pulling a fanbook together in which fans express their enthusiasm about Mariah's Charmbracelet World Tour. Think about what you liked most about the concerts, maybe certain songs that you feel very strongly about or certain aspects of the show that surprised you. Maybe you were lucky to be chosen for a meet and greet or maybe you met Mariah at the hotel she stayed at. It’s a global thing so anyone can join. If the response gets bigger than expected, more books will be created. Send your stories, poems, photos, etc. There is only one week left (the deadline is October 30), so send your entries to anne.m@wanadoo.nl.
-- Check out the Lovin' Lambs Organization, a group of Mariah fans that are trying to make a change in the world! Fans from all over come together in their own communities and help with local services, whether it be a park or beach clean up or simply feeding the homeless. Mariah is constantly donating and helping different charities and for too long we've relied on her and other celebrities to improve our living conditions. Check the link for more information.
Source: Roland | thebigham | Christopher | Martijn | Miss Jae
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| OCTOBER 23, 2003 4:33PM |
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Mariah Carey to hold Manila concert, after all
American singer Mariah Carey is coming to Manila to perform at the Fort open field in Taguig on Nov. 16, according to MTV Philippines and Tommy Hilfiger Watches, producers of her "Charmbracelet Tour 2003" in Manila.
The producers said Carey's American handlers decided to bring her to Asia after all because they were able to reach their six-city target.
Initial reports had said Carey was coming, followed by other reports that said she was not coming anymore. The producers earlier said the singer would no longer go on a six-city Asian tour because two of the countries in the tour, Malaysia and Thailand, had no available venues for her show.
Tickets to Charmbracelet Tour 2003 are 2,500 pesos, 1,500 pesos and 500 pesos.
Source: Inquirer News Service | Randolf Castillo
Final night thrill for Mariah fans
American singing star Mariah Carey's appearance at the M.E.N.Arena will be the spectacular final night of her UK tour and we have a limited number of two for one tickets on offer.
The chart-topping star has been inundated with requests from her fans all over the UK to play additional dates, and in response she has added a Scottish venue to the tour.
But in order to accommodate everyone, the Arena will now be host to the grand finale of the UK leg of the Charmbracelet World Tour.
The date was originally set to take place on Saturday, October 25, but has been moved back seven days to Saturday November 1.
All tickets purchased for the original Manchester date will remain valid.
The Charmbracelet Tour will see Mariah perform for the first time in the UK outside of London - now visiting Glasgow, Birmingham, London and concluding here.
Her highly-anticipated world tour - the superstar's first in over three years - kicked-off in Japan last month.
It features Mariah performing hits from her most recent million-selling album, Charmbracelet. Released worldwide last December, the album has topped the charts around the globe.
Mariah will perform favourites from a career that has spawned a record-breaking 15 number one singles worldwide, including Fantasy, Heartbreaker, Dreamlover and Hero.
Mariah Carey peforms at the M.E.N. Arena on Saturday, November 1. To take advantage of the two for one ticket offer, click here or call 0870 190 8000 and quote MC241.Two for One ticket offer limited to £28.50 tickets only (subject to booking fee). The limited number of tickets are available on a first come, first served basis.
Tickets for all shows can be purchased from the venues or on the Mariah Carey 24-hour National Hotline number 0870 444 7074. Those unable to attend the rescheduled Manchester date should contact their point of purchase for more information. Tickets are priced £28.50 with some limited premium seats available.
Source: Manchester Online
Mariah's Poor Opening
Mariah Carey had a poor opening this week - with an excuse. It's an album of single "Remixes," packaged by her previous record company, Columbia. It starts at No. 26 with sales of 40,687. Carey's most recent new recording opened with 260,000 copies moved.
Opening just below Carey were Simon & Garfunkel with their "Essential" collection. It moved just over 40,000 copies. S&G's music has been compiled dozens of times, but the latest set is timed to a soldout reunion tour.
Source: New York Daily News
Mariah's Mixes Sound Great As Ever
Long before J.Lo discovered she could keep re-releasing her singles by remixing them, Mariah was the Queen of remixes. In a bid to extract more cash from Mariah's back-catalog, Columbia are releasing another compilation, focusing on the remixes. This time the album includes tracks recorded with her new record label as well.
"The Remixes" is split into two CDs. CD 1 is given over to dance remixes, while CD 2 goes in an urban direction. It's likely you will prefer one CD to the other.
CD1 has classics such as the C&C club version of "Anytime You Need A Friend" and the HQ2 radio edit of Mariah's 2002 single "Through The Rain". But without a doubt, the highlight is the David Morales mix of "My All", a track that was just as big as the original when it came out as a single.
Most people will go straight to CD 2, as it is the better, or at least most obvious of the two. The thirteen tracks are a mixture of the biggest urban remixes, singles and album tracks. All the most popular remixes are on this album, from the remix of "Fantasy" with O.D.B to "Heartbreaker" with Da Brat and Missy Elliot.
As well as the urban remixes, the singles "Crybaby", "Breakdown" and "Sweetheart" make an appearance on here. It may seem weird, but it kind of makes sense as they share a similar style.
The only disappointment is the absence of one of her most popular remixes, "I Still Believe/Pure Imagination". That doesn't stop this from being a great way to celebrate Mariah's thirteen years in the music business. Some of the songs may be more than ten years old, but they still sound as great as ever.
Source: UK Mix
The Remixes
Mariah Carey’s The Remixes would seem like another quasi-posthumous cash-in by the pop-starlet-turned-fallen-diva’s former record label if the singer herself wasn’t so enthusiastic about its release. (With former label honcho Tommy Mottola out of the way and Carey’s MonarC logo positioned so cozily next to “Columbia Records” on the back of the disc, one might even suspect a Sony/Carey reconciliation is in the works.) Politics aside, this double-disc compilation is a must-have for Mariah’s “lambs.”
Disc One is a collection of Carey’s “greatest” dance remixes; though the older tracks (“Anytime You Need A Friend,” “Dreamlover” and “Emotions”) sound invariably dated, anthem-sized club mixes of “Heartbreaker” and “Fantasy” (produced by Junior Vasquez and David Morales, respectively) are testaments to Carey’s commitment to the remix process. Morales' multi-part dancefloor epic mix of "Fantasy" harks back to the days of Moroder and Bellotte, and the frequency with which Carey completely re-records her vocals for club versions is unmatched.
Disc Two of the album lumps the singer’s famous hip-hop remixes (including Puff Daddy’s “Fantasy” remix featuring O.D.B. and Jermaine Dupri’s “Always Be My Baby” and “My All/Stay Awhile”) with a slew of previously available (and completely gratuitous) album tracks.
While it’s commendable that Columbia actually went the distance to acquire the rights to tracks owned by three different labels (Virgin, which released Carey’s infamous Glitter, Island/Def Jam, Carey’s current home, and J Records), there’s a handful of notable remixes and b-sides missing from the album. Still, the inclusion of “I Know What You Want,” Carey’s duet with Busta Rhymes, and two new tracks (“Miss You,” featuring Jadakiss, and a horribly sluggish remix of “The One,” a track from 2002’s Charmbracelet) should keep Carey’s flock pacified…at least for the six months until she cranks out another proper studio album on yet another record label.
Source: Slant Magazine
Mariah's Remixes
The great irony of Seinfeld, one of the best sitcoms in TV history, is that star Jerry Seinfeld would be upstaged by his much funnier sidekicks in every episode. A similar phenomenon comes to light on Mariah Carey’s remix double-album, wherein the dipsy diva gets upstaged by her far more alluring producers and guest MCs. Disc one features stellar remixes of mediocre original tracks like "Heartbreaker" and "My All," overseen by top-notch producers like Junior Vasquez and David Morales. Disc two focuses on hip-hop remixes, bringing in the likes of Ludacris and Snoop Dogg to drastically improve tracks like "Loverboy" and "Crybaby." Given all the talent covering Carey’s back on this double-disc, it’s arguably her best release ever.
Source: Chart Attack
Mariah Gets Remixed
How Mariah Carey got all her record labels to agree to let her release an 2-disc set full of her greatest remixes is a mystery. But the fact that they did means little, since Carey doesn't even include her greatest remix of all: "I Still Believe (Pure Imagination Remix)," where she samples a song from Willy Wonka.
There's one disk on "The Remixes" with 9 club mixes. You know those remixes that feel like they go on forever and include few actual lyrics? Here's a disc-full. The songs range from the unpredictable 10-minute "Heartbreaker/If You Should Ever Be Lonely" to the boring "Fly Away (Butterfly Reprise). Reprises are meant for filler, not for a greatest hits record.
Then on disc two, there's the classic ODB remix of "Fantasy," which first crossed Carey over to the hip-hop world. However, beyond that song, there aren't any must-have remixes that make this album worth its cost.
Source: andPOP
Is it Mariah Carey or her puppy which is barking?
If you hurry - and don’t forget to lock your dogs and cats away somewhere they won’t get frightened - you can still get tickets to see Mariah Carey at the SECC on Saturday. There was a running joke in the Oscar-winning film Amadeus that the emperor dismissed Mozart because his work had "too many notes". History showed him, of course, to be a fool, but I don’t care about that, as I am prepared to go on record and state that I think Mariah Carey’s work has, indeed, too many notes.
She may or may not be able to sing- it’s simply impossible to tell as she warbles and slips up and down her 16 wobbly octaves, thus rendering every conceivable tune equally unidentifiable and unlistenable. Add to this a fondness for cloying songs of the gloopiest order, usually discussing honey or rainbows, and she’s definitely something of an acquired taste.
Then there’s the demanding diva side. She "doesn’t do stairs" at venues (which reminds me of a friend watching Pavarotti, who also doesn’t do stairs, being manoeuvred onto the stage on a mechanical hoist, blithely surveying the backstage staff while looking as fat and stupid as a world-famous millionaire artist possibly can). My favourite story about Mariah is that her contract reportedly stipulates that when she performs in a venue, puppies and kittens should be made available for her to play with backstage. I can just see three enormous roadies trying to catch tiny cats and dogs fighting and pooing all over the place so Mariah can bat her enormous eyelashes.
If you’ve ever looked at her album covers, or photographs too, you’ll always notice something slightly odd going on. You may remember from first year art lessons that the dimensions of the human body state that the length from top of the head to the waist and the waist to the floor should be roughly the same. With Mariah, the legs are always three times the length of the rest of her. For the album Number Ones (hee hee), one Photoshop professional reckoned she’d had at least a foot added to her thighs alone.
Frighteningly, she’s about to release a book of poetry. This is never a good idea for pop stars, as Jewel and Paul McCartney have found to their cost. Good lyrics are simple, direct and just sound right - "She came from Greece she had a thirst for knowledge/ she studied sculpture at St Martin’s College" is great in every way - but poetry has boundaries to stretch. It is pointless to talk about poetry and Mariah in the same sentence however. Here is a sample of her efforts:
"I love my unicorn, he knows I am true / My troubles go poof, my unicorn named Boo / My lambs are all here, all smiling and gay / Boo and I dance, we sing and we play ..."
The other thing everyone knows about Mariah Carey of course - or could probably guess just by reading the Unicorn oeuvre - is that she is stark raving batty bonkers. Not in a "I’m pretending everything in my life is absolutely perfect till the day I collapse in the street and have to get taken to the Priory" kind of way, oh no. Mariah doesn’t do anything by halves. Mariah is full blown tantrums in the bath, breaking all the crockery in a hotel, leaving crazy messages on her own website bonkers. She married her record company manager when she was 18, in a wedding that was a carbon copy of Princess Di’s (not a good role model), sang with Westlife, starred in Glitter, then tried to commit suicide, for all of which you can only feel profoundly sorry for her.
In the final analysis, however, any feelings I have for Mariah are completely irrelevant. Because as soon as I mention her name to any chap at all, their eyes immediately go all misty. I can usually tell what they’re thinking about from the weather. If it’s hot, they’re thinking about her stripping off to her bikini in Fantasy.
If it’s cold, it’s the little mini Santa outfit in All I want for Christmas is You (a Mariah aberration in that it’s a great wee song). Not only that, but last year EMI had to pay her $50 million to stop her making any more terrible albums.
She may be out to lunch, an irritating singer and the worst poet since the Vogons from Hitch-Hikers Guide to the Galaxy, but she ain’t stupid.
Source: The Scotsman
Editor's Note: Feel free to voice your opinions on this article (written by Jenny Colgan) by contacting The Scotsman
News Tidbits
-- Please support Mariah Daily (and subsequently Mariah herself) by voting for MariahDaily.com at the 2003 Interactive Music Awards. What other fan site keeps you updated with the latest Mariah news and information, all while helping fans connect with their favorite singer by sponsoring special contests and events that allow them to deliver their letters and messages to Mariah herself, win personalized autographed items, and even see Mariah live in concert? Only at MariahDaily.com! Vote now by clicking here.
-- Check out Mariah's all new e-team web site at eteam.mariahcarey.com! If your current password doesn't work just click the "lost password" link, enter your e-mail address and it will be sent to you. If your e-mail address is invalid on the lost password screen just re-register with the "become a member" link.
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| OCTOBER 20, 2003 4:22PM |
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Disco, Alive and Dancing
Punk rock has died a thousand deaths, but its much-maligned cousin disco just keeps going. As long as there are dance clubs, people will need something to dance to; a quarter century after its commercial peak, the legacy of disco seems richer than ever. Two new releases carry on the disco tradition: Basement Jaxx's "Kish Kash" and Mariah's "The Remixes."
Mariah Carey is a traditional disco diva, and a great one. And she has never been easier to enjoy than on "The Remixes," a double-disc set that compiles a decade's worth of house and hip-hop remixes.
The hip-hop disc isn't perfect; it proves, among other things, that Jermaine Dupri is a hit-and-miss producer. But it includes some of Ms. Carey's most appealing collaborations. "Breakdown," with Krayze Bone and Wish Bone (from Bone Thugs-n-Harmony), is a marvelous demonstration of sing-rapping, with the three vocalists taking turns skipping over the syllables. And on "Miss You," with Jadakiss, the rapper has fun addressing the pop star as if she were merely a drug dealer's moll: "When I thought you was late with the coke/ That's when things fell apart Ma, and it stagnated us both."
The other disc is even better: Ms. Carey's brassy, breathy vocals sound best when accompanied by a thumping house beat, and David Morales, in particular, knows how to turn a histrionic ballad into a club classic. His 11-minute "Def Mix" version of "Dreamlover" is a revelation: after a long percussion break, he isolates a few of Ms. Carey's ad-libs; her ultrafalsetto vocals sound spookier than all of Basement Jaxx's sound effects combined.
Source: New York Times | Mac
News Tidbits
-- On Wednesday, October 22, 2003, Village Station (a popular gay club in Dallas, Texas) will be holding an album release party sponsored by Sony Music for “The Remixes”. There will be free CD giveaways and a chance to dance to Mariah music all night! All lifestyles (both gay and straight) are encouraged to show up and show support for Mariah and join fellow fans in the fun. There is a $7 cover charge. You must be 18 or older to attend.
-- Mariah was on the cover today's edition of Life Style, a newspaper in Beijing. Click here to see the cover. The article states that Mariah will visit Shanghai City to give a concert. The scheduled location is HongKou Stadium on November 18.
-- Mariah's London concert at Wembley Arena on October 30th is sold out (venue capacity: 12,000). Her Paris concert at Bercy Palace on November 4th has only 439 standing tickets left (venue capacity: 17,000).
-- For the seventh consecutive week, Busta and Mariah's worldwide hit "I Know What You Want" holds strong atop the Hungarian airplay chart at #1. On Hungary's dance chart, the song dropped nine spots to #32; it peaked at #15. On the Editor's Choice radio chart, the song drops one spot to #5. It had previously peaked at #1.
-- Mariah-Carey.org reports that when Mariah sat down with German newspaper Netzeitung, she discussed her first feature film role, saying, "Glitter was simply not a good film actually. You can't blame the flop of a film on only the actors involved. I wasn't allowed much input with the producing of the film. That was, by the way, my first film. There are many other long-time actors who produce flops." Check out the entire interview here.
Source: ChrisStud | Ray | Jay New | Gilles | SJ | Pop Dirt
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| OCTOBER 19, 2003 11:26AM |
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Mariah is not coming to town
It’s final. The much-anticipated concert of international pop diva Mariah Carey is no longer going happen. At least, for this year.
We were told that Mariah Carey’s management has decided to cancel the Asian leg of her 2003 Charmbracelet World Tour after promoters have failed to secure the guaranteed six-city leg needed for that Asian tour to push through.
In the Philippines, Mariah’s concert was supposed to be sponsored by Tommy Hilfiger Watches and MTV Philippines. The Manila concert was supposed to happen on November 23 at the open field of The Fort at the Fort Bonifacio Global City.
But as fate would have it, Manila, along with the promoters in Bangkok, Beijing, and Shanghai, had to suffer the consequences since promoters from the other two Asian countries, possibly Taiwan and Malaysia, failed to secure a venue in the time frame specified by the organizers of Mariah’s world tour.
The source told us the six-city guarantee was needed because Mariah Carey would have missed opportunities back home in the US if she says yes to the Asian tour. One of the things that she will sacrifice will be a movie offer.
We were told that Mariah Carey and her entourage will be paid within the range of $375,000 to $450,000 per performance, depending on the Asian city where she is to hold the concert.
The two countries that missed, the mole added, couldn’t book appropriate venues either on the first week of November, or first week of December - dates specified to them by the organizers.
As it is, the source told us that negotiations are being made right now to move the entire Asian tour next year.
The mole also said that Mariah has decided to accept the movie offer, after all.
Source: Manila Bulletin | Randy E
Devils May Carey
Calling all petty criminals - songbird Mariah Carey could be interested in dating you.
Millionaire Mariah has confessed she's bored with city slicker types after her failed marriage to businessman Tommy Mottola.
The 33-year-old revealed she's on the hunt for some rough and tumble in the form of a "baggy-clothed hoodlum". Nice.
Slurping champers with Trevor Nelson, who was filming for his new BBC3 series Lowdown aboard her private jet, the pop diva sighed: "One businessman was enough." The girl needs her head checking.
Source: The Mirror
Diva Heaven
Trevor Nelson is is in diva heaven. Arriving in NYC, he goes for dinner with Kelis at Harlem's finest eaterie, Butter. The following morning, he flies to Boston to hook up with Mariah Carey, currently on her world tour. Trevor and Mariah hang out backstage, then it's off back to NYC with Mariah on her private jet. After a few hours of much needed sleep, Trevor rounds out the trip by having a spot of lunch with Alicia Keys.
To celebrate the arrival of Trevor Nelson's Lowdown, we're giving away some Mariah Carey CDs and posters. All you have to do is answer our skill-testing question for the chance to win a poster and a copy of either Charmbracelet or The Remixes. Competition ends midnight, Thursday 23 October, 2003. Click here for details.
And be sure to check out the Lowdown Photogallery for pictures of Trevor with Mariah in Boston and New York!
Source: BBC
The Remixes Drama
It seems that there is not a bit of friendship between Sony Music and Mariah Carey, even when just a few weeks ago Sony announced that Mariah included non-Sony tracks in the contractual obligation album “The Remixes.”
The compilation album was supposed to hit stores in United States on October 14 but hundreds of fans have reported that they can’t buy the album because there is not an album to buy; Sony Music failed to ship enough copies.
I talked to a manager of a Wal-Mart store in Arizona, where the album is not on sale yet. He was very confused because he knows Mariah’s career. “Mariah’s albums have sold out every time she releases something new. Sony didn’t ship any copies, at least for this Wal-Mart.”
Some other potential buyers e-mailed me asking about the album. All I could answer is that the album is supposed to be on sale now. In many cities in the United States the album is selling out but don’t get excited yet, there were few copies. Some buyers got their money back in stores such as K-Mart, Wal-Mart and online stores.
Did Sony music sabotage the album in the US? Even when we all already know the album was going to be something special for fans and collectors, it really surprises us how bad this album can do. “The Remixes” really had a potential to sell higher sales than “Greatest Hits” - the album was fresh and featured new stuff, as well as a new Mariah.
"The Remixes" is long-waited in several countries,and in the United Kingdom the album reached higher positions than "Charmbracelet."
What it is important to understand is that this album is great because of Mariah’s music, the album is for fans, it contains music that can be really hard to find for people from other countries. If this album flops in US, it is because of Sony Music and it doesn’t really effect Mariah’s career or Mariah herself, who is currently writing for a new album that is supposed to sound late next year.
Source: Mariah Hero
Mariah Carey Gives Update On New Album
Mariah Carey fan Lea Wimund reported that she asked the singer about her new album. Carey says, "I'm having a lot of fun writing the new songs. I have a writing partner, who travels with me; we work on the songs whenever I am stuck on an airplane or whatever. The songs remind me of what I wrote for the 'Butterfly' album. It should come out late 2004, if everything goes well." Read more.
Source: Pop Dirt
"Bringin' On The Heartbreak" pushed back
It now seems to be confirmed that "Bringin' On The Heartbreak" will be released in the United Kingdom on November 3rd. This will give the song more time to make an impact on radio. Apparently the promo singles have only just been sent to radio stations so we all need to step up our requesting! Well done to everyone who's taking part in our "Bringin' On The Heartbreak" Request Competition - you're doing a fantastic job! If you haven't taken part yet, make sure you do! There's still time to win some cool prizes. More information can be found here.
Be sure to vote for Mariah on Total Request Live at www.mtv.co.uk/trl! The video is rarely seen on TV, so this is very important.
Keep an eye on MTV Base because this is the channel that you can catch the video on. Text your request to 86188 and look out for the video on MTV Base's Request show!
Source: MariahCareyUK.com
"The Remixes" Contest Update
Please note that if you are interested in participating in Mariah Daily's "The Remixes" contest, your entries are due in by October 31, 2003. Your receipt must show that you purchased the album within its first week of sale (Tuesday, October 14 through Monday, October 20). If you would like to e-mail your entries instead of snail mail, submit a scan of your receipt, along with the correct answers to the trivia questions, to theremixescontest@mariahdaily.com.
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| OCTOBER 16, 2003 6:56PM |
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Carey's singing disguises emotions
There are no traces left of the emotional crisis Mariah Carey experienced two years ago. The singer, who collapsed during a promotional trip and sent confusing voice messages to her official web site, took some rest and made a comeback after the biggest flop of her career (Glitter). Now she has come back stronger from the struggle.
The fact that she has found her powers again was proved by the satire opening of her concert at the Ahoy Stadium in Rotterdam. From the back of the venue, she came to the stage surrounded by bodyguards. From the moment she came on stage she was horded by a small army of faux-photographers she had to beat away. "Living is suffering, especially if it's in the spotlights", she seemed to say with her arrival, but it's my life.
After this start it was a pity that the first part of the concert looked like a family show, complete with tumbling clowns and circus attributes. No more then eight dancers where there to form "tableaux viands" and look quasi-bored.
Because Carey, who changed into a new ensemble for nearly every song, always looks for a nonchalant counterpart to her glamorous style, she often uses rappers to give her songs a street-wise credit. But to Carey’s own credit, her voice is a show-voice. She can go all ways with it, but it has an indeterminate emotion. Is Carey driven, sad or happy? Her voice disguises these questions very skillfully. On her October 8 concert, she regularly used her signature mark: hitting notes so high that only dogs can hear. It garnished her a lot of appreciation from her fans.
Accompanied by a small band and four mighty backup singers, her gospel-esuqe songs, such as “Through The Rain” and “My Saving Grace” sounded impressive. Because of those backing singers, the concert had some soul.
Carey sang songs from her entire career and a couple from her latest album Charmbracelet. During the show the dancers’ parts became shorter and the show concentrated more on Carey, who often was away to change clothes, but when she was there she showed a lot of devotion. She came down from the top of the stage on a swing, then she stretched out on a grand piano to sing on further. Carey's ad-lids to the audience became more relaxed, as her band introduction was completely sang.
It was also striking that she often referenced to the space cakes that make our country such a nice place to be.
Source: NRC Online (Translated by Meindert Leegwater)
Mariah cameo in "Betta Watch: The Movie"
Damizza's sequel project titled "No More Waiting. No More Hating." will include "Betta Watch: The Movie," which showcases the recent short film taped on the set of the "Psycho" house and Bates Motel.
They shot the first ever all-West Coast DVD movie also starring Butch Cassidy, Warren G, Ice Cube, WC, Mack 10, Nate Dogg, Snoop Dogg and Mariah Carey among others. This venture is the latest in what some are calling, the "ree"-invention of west coast hip hop.
The movie begins at Alfred Hitchcock's Psycho House, with Baby Ree producer Damizza, Knoc-Turn'Al, Shade Sheist and N.U.N.E. going to toe-to-toe with Butch Cassidy, Warren G and other legends of west coast hip hop.
Source: WestCoast2K | David Jones
Mariah Set Up For Failure
"OK, there is so much hoopla going around about Mariah Carey's The Remixes which hit stores Tuesday October 14th. It was obvious before it even hit shells that this CD had no chance to make its mark. First of all, Sony did not do one bit of promotion in the United States whatsoever. How can a label, even her old label, do that? It's just hurting the cd and makes less money for Sony. The only logical explanantion would be they want the CD to fail so they can say that Mariah had another bomb. Which really doesn't matter because it is only a Remix album.
Not only is Sony showing no support for this album, but neither are the record stores. It took me 3 stores to find the album. Most stores didn't even get it in. The one I found it at was in the mall and they only had 5 copies on the floor and me and my friend bought 2 so there were only 3 left. They had Clay Aiken plastered all over the place and well you know all the reviews he got that were posted on here. My other friend said that target and Walmart by him didn't even recieve it and finally he had to go to another Target and he found it in the Mariah Carey section, not even the New Release section.
I know alot of people are gonna make comments but the fact is a CD cannot do well with no promotion and no CD's to sell. And finally, Sony sent an email to all her fans asking if we would like to buy the CD through them and you may get an autographed copy while supplies last. Well, a majority of people that ordered the CD last week have yet to recieve it and if you check your order it still says in progress. Most of the people have not even been billed yet. Two people had the money taken out of their checking account to only find it put back in yesterday. It seems as though Sony doesn't want to include those sales in this weeks numbers. Sony has been contacted numerous times and has not given one response yet. It's really sad."
Source: Pop Dirt
News Tidbits & Site Updates
-- For all those fascinated by Mariah's fashion, check out our new Mariah Style Report section for hair and makeup tips, information on how you can buy Mariah’s latest fashions, and an inside look at the trends Mariah instilled across the world throughout her career.
-- In its sixth week on the chart, "Bringin' On The Heartbreak" moves up five spaces to #15 on Billboard's Hot Dance Music/Club Play chart.
-- "The Remixes" will be released in Canada on Tuesday, October 21, according to Sony Music Canada.
-- HoLLaAtCha1984 writes: "I work at Wal-Mart in New Jersey and Mariah's 'The Remixes' sold out in its first day. I'm not talking about 10 copies but more like 60, which is a lot for a small CD section. Clay Aiken's new CD had so many left. I couldn't even buy 'The Remixes' because I thought there would be some left after work but every rack was gone.The girl in the music department told me every time Mariah comes out with a new CD, she sells out!"
-- Mariah is mentioned in this month's issue of GQ with The Rock on the cover. Question 7 of the music IQ test is all about her. It says, "Since Mariah Carey has named her latest albums Butterfly, Rainbow, and Charmbracelet, the next album should logically be called ______." Their answer is "Unicorn."
Source: Ankur | SKS 2K3 | HoLLaAtCha1984 | Joshua
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| OCTOBER 15, 2003 3:39PM |
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Cry Me A Diva
When Mariah Carey was a little girl, she desperately wanted her life to be different, so each night she knelt beside the bed and prayed for God to make her famous. Today, she is about as famous as it gets. Her prayers were answered and the face of the world's most successful female singer and songwriter is everywhere, from magazine covers to videos, albums, t-shirts and TV shows.
There are times, though, that Mariah hasn't been comfortable with that face. In fact, she's been pretty much uncomfortable with everything about herself.
Hers wasn't an easy childhood. Her mother was white and her father part black, part Hispanic. They divorced when she was three, and Mariah says she “felt like a freak.”
She missed her father dreadfully, never quite believing he loved her. She thought fame might change that.
Mariah lived with her mother, an Irish opera singer, and they moved 13 times to homes that were always poorer and more bohemian than anyone else's. The family stuck out like a sore thumb in their predominantly white neighborhood on Long Island, New York.
Crosses were burned on the lawn and the family dog was poisoned. Mariah's older sister Alison became a mother at 15, a drug addict and then a prostitute; she is HIV-positive.
Mariah started singing at four and used to hide under the kitchen table, scribbling down songs when everything became too much. “People are still confused by my mixed-race background,” she says, “They look at me all the time and ask, ‘What are you?’ I still don't know. When I was with my mother, who was white, people thought I must have a Hispanic father -- they didn't realize he was black. When he picked me up they'd look at me as if I had three heads. I felt like a freak. I just watched a tape of me at 11 setting a poem to music. At times I look happy, but then I look into the eyes of this little girl and can see she was very sad. I can remember that little girl praying, hoping, and wishing for stardom. I thought it was going to solve the dysfunction in my life. It doesn't, but I didn't know that -- neither do the people who watch you on television. They see you in this fairytale and think everything is perfect -- that you're living a happy-ever-after life.”
Mariah's early career was the stuff of fairy-tales. Plucked from obscurity as an 18-year-old by Sony music chief Tommy Mottola, whom she later married, she has sold more then 150 million albums and singles, with an astonishing 100 gold, platinum and multi-platinum certificates. In the U.S. she is the only artist since the 1920s to have had a number one hit year after year for a decade and she has two Grammy Awards. Her latest single is released this month and next week she arrives in Britain as part of her world tour.
However, the fairytale wasn't all it was cracked up to be. Mariah's marriage was desperately unhappy. She divorced and has since had two relationships, but neither of them has lasted.
Two years ago, she suffered an “emotional and physical breakdown” and walked away from a £70million, five-album contract with Virgin Records.
Mariah is only 33. She doesn't have a boyfriend and says she can count her true friends on the fingers of one hand. One of them has told her she's “the most tortured optimist” she knows. She is currently on her first tour since her breakdown.
We meet at a restaurant in the Trump Taj Mahal hotel in Atlantic City. Mariah is wearing the tiniest of tiny pink and silver sequin dresses. It's 2am and she's drinking a glass of wine.
She has just finished a concert and says she is `feeling depleted'. She's actually exhausted having spent an hour-and-a-half on stage brilliantly out hit after hit. She has an astonishing voice that spans five octaves and sings with a huge passion and a gutsy defiance; vulnerable even. She picks at a plate of antipasto, but there was a time she forgot to eat; in fact, she stopped taking care of herself altogether and ended up in a heap on her mother's kitchen floor. This is the first time she has spoken about her breakdown.
She'd been working herself hard after signing with Virgin where record bosses demanded their £70 million of flesh. Her affair with Latin American singer Luis Miguel was ending. She felt unloved, lonely and lost.
Indeed, just before being admitted to hospital she left a poignant message on her website, “What I'd like is just a little break, or at least one night of sleep without someone popping up about a video or something.”
She says now, “You think this is a long day. I'd be on a day like this and then it would be, ‘Okay, you've got to do the Australian interview now.’ I'd be on the phone until five or six in the morning, and I'd bee so wired from working I wouldn't be able to sleep. Then, I'd have to get up and do a photo-shoot at 8am. I did that consistently for two months and I broke down physically. It's been written that Luis broke my heart and caused the breakdown. It's just not the truth. He did not break my heart. I wish I could say that was the reason it happened. I broke my own heart by treating myself less than humanely and working myself into the ground.
“The day it happened they were trying to get me to do a video. I couldn't because I hadn't slept in five days and looked horrible. I tried to explain but nobody was listening. I got in my car and started driving. I was going anywhere I could to get away from my management, the label, from people who wouldn't stop pushing me.
"I decided to go to my mother's house to rest and relax, but it didn't happen. I hadn't been eating and my blood sugar level was low. I got there and passed out on the kitchen floor. My mother dialed the emergency services. She didn't understand that you don't do that with a famous person because it creates a scandal. I was in hospital for about a week-and-a-half. I only saw my mother and my brother. I didn't want to see people because I wasn't looking my best. It wasn't a matter of me losing my mind. Anybody would have cracked under that pressure. The pain we go through, I think it happens for a reason. I don't want to sound clichéd, but I'm going to have to. I believe that whatever does't break you makes you stronger.”
She was 18 when she was introduced to Tommy Mottola, the president of CBS Records (later Sony Music) at a party. Employed as a waitress and a session singer, she'd gone along with her friend Brenda K. Starr who thrust Mariah's demo tape at Mottola.
He took the tape and left, played it in his limousine and was so stunned he went straight back to the party, but Mariah had gone. That was a Friday. By Monday he'd tracked her down and signed her to an eight-album deal.
Mariah, who was a virgin, became his lover too. In 1993, having left his wife and children, Mottola married her and the couple moved into a mansion in New York. Mottola was powerful, possessive, controlling, and that home soon became a prison of sorts to Mariah. He dictated the clothes she wore, her hairstyle, where she went and with whom. She was even escorted to the restroom.
Indeed, although her first album sold more that five million copies and included four number one singles, Mariah says she did not begin to guess at the fame she'd achieved until a year or so later when somebody stopped to ask for her autograph -- she wasn't usually allowed out.
“I don't think I'll ever truly feel as if I've made it,” she says. “People who experience fame from an early age tend to feel it in a different way to me. When I first became famous, I didn't feel that it was because I was sheltered in that relationship with someone much older and very controlling. I didn't go to clubs and have people acting towards me the way they do when they know you're famous. Someone asked me for my autograph when I was 20. It was a feeling of validation. In the beginning Tommy was a sort of father figure who represented stability to me. But he became too overwhelming, too overbearing, too stifling. It was enough to kill anybody's sprit.
“For a long while I was trapped. I was with his record company. My manager and my lawyer were his best friends. I was a kid. They were powerful men. I didn't have a father who was managing me. I didn't have a mother who was taking care of me. I was a teenager alone in New York and scraping a living together when we met.
“I did think I was in love for a while. We were together so long before we got married. I thought if we did he would lighten up on me and wouldn't be so controlling. Tommy was my first lover and there have only been two since. I didn't want a baby at 15. I don't have casual sex and I've never had a one-night stand. It's to do with self-respect. I never want people to say, ‘Oh, I had her for one night. Ha-ha.’ I've only had a few relationships because I have to be with the right person.
“I've seen a number of people in the past week and I ask, ‘Can I ever see myself being with this person for a long time?’ If the answer is no -- if I'm not feeling head over heels -- why bother? I don't want get into something and feel rejected. I don't want to feel I gave myself to someone in every way and then found myself all alone.”
Mariah's marriage to Mottola ended in 1998. It was a particularly difficult separation. “Tommy would say the most abusive, in appropriate, terrible things. It became very ugly. If I hadn't left I don't think I'd have survived. It was a choice of staying and completely losing myself or leaving. I was at the brink.”
A confidentiality agreement prevents Mariah from talking in detail about exactly what brought matters to a head, but she does say, “There was an event that happened in front of too many people that was really humiliating. It fired me up enough to say, ‘I can't do this anymore’. I went to stay with a friend in Manhattan and didn't go back to the house. That in itself was a huge thing. Somehow I go the courage. If you put an animal against a wall for long enough, they're either going to cower and die or they're going to break out. I broke out.”
Mariah was 18 when she met Mottola and 26 when she split from him. The fallout inevitably affected her working relationship with Sony. Eventually she left, possible with the help of rival Jennifer Lopez.
A snippet of music licensed to Mariah appeared on a Lopez album released by Sony. The two have reportedly been at loggerheads since. “Some weird stuff went on with a song when I was leaving Sony. That's what started the whole thing,” says Mariah. “I wish Jennifer all the best. It's not worth my time to waste energy on her. I wish I could have stayed with Sony, but it was too incestuous. It was sad.”
It was also nasty and vicious. There were stories made up claiming Mariah was promiscuous; that she behaved like a diva; was difficult, demanding, losing it. She signed with Virgin four months before her breakdown. It was a snap decision and one she regrets.
“I went with the wrong company and I have to take the blame for it. It was a decision driven by money because I've always been afraid that the rug could be pulled out from under me. I never felt like a person with money because of how I grew up. It was the wrong move for me. They'd never had an artist like me -- a singing diva.”'
Mariah was admitted to hospital suffering an emotional and physical breakdown four weeks after finding herself stuck on a punishing promotional treadmill to publicize her album Glitter and the film of the same name, in which she starred.
The album was released on September 11, 2001. The timing was appalling and the album sold just two million. Her relationship with Virgin soured.
“I was not fired. I was not let go,” she says. “It was a mutual agreement. They wanted to start changing things within my contract because they were not happy with the performance of the Glitter songs. They thought, ‘Maybe she's lost it. Maybe she's not going to be able to make records anymore. Let's change the deal.’ I wasn't going for it.”
Indeed, since hitting rock bottom two years ago, Mariah has demonstrated a steely determination to get back on top.
She's been driven, she says, since she was a baby. When she was in her first year at school, a friend told her, “When you sing it's as if there's music behind you.” Mariah stored up these precious words of praise and remains visibly touched when she's complimented about her voice.
She lost herself in music last year when her father died from cancer. She says, “I'd just started to build a close relationship with my father when he found out he was ill. He was an aeronautical engineer, very practical and didn't understand my wish to be a star. When I became a success, we never quite had that conversation, ‘Wow, I didn't think you could do this. It's great.’ I was always trying to prove myself to him. I didn't really need to do that, but I didn't find out until the end of his life.
“In the end he couldn't really speak. I found out from his friends that he used to tell them how proud of me he was. My father only had a couple of CDs. When he was dying I found out one of them was mine. I didn't think he'd heard any of my songs. For someone I didn't know was proud of me it was an amazing discovery. He saved everything I'd every given him, right down to cards I'd made him when I was three. One of the last things he said to me was that he was proud of me.”
Mariah says she is finally beginning to feel comfortable in her skin. “People can be lonely in the middle of a crowd and sometimes I am guilty of that. When everybody's pawing you and saying come and meet this person, come and meet that person. You feel it isn't about the real you and that can be very lonely. People have their own agendas.
“Some people want to be close to you and lie and say they've slept with you and you think they were a good friend. Others want to be around you to be a financial drain. There was a lot of weird stuff going on between labels. I was just one young woman going up against corporations and then having people saying, ‘Forget her. She's not the person she was.’
“I'm not. I've been though the wringer, but I'm now at a place of strength and power. I'd prayed for so much and it got bigger than me. I had to get back to being the person I used to be. Now I'm finally back in touch with little girl who was able to pray and hope.”
Mariah Carey will be appearing at the SECC Glasgow on October 25, NEC Birmingham October 28, Wembley October 30 and MEN Manchester, November 1. Her single Bringin' On The Heartbreak is released on Island records on October 27.
Source: Daily Mail (Transcribed by James Brown)
Mariah and Beyonce's dance-off
Fashion show schedules are like the static caravan of the holiday world: useless! What is the point? Bored and hot, I engage in that most popular of pastimes, gossip. The latest story doing the rounds comes from the Versace party in Milan. Every season, Donatella Versace hosts the most lavish of parties to celebrate the new season. The great and the good were there, plus more than a sprinkling of celebrities. Both Beyoncé Knowles and that plump popster Mariah Carey showed up and, allegedly, as the music started to hot up, so did the dance floor.
Both Beyoncé and Mariah were giving it large trying to out-dance each other with x-rated variations on a gyratory theme. Or, for the sake of a decent strap line - engaging in a "double diva dance-off sandwich". And by all accounts, after about an hour, Mariah gave up, stormed off and left the party early. Remember, you heard it here first.
Source: Scotsman
Mariah's dressing room dramas
There were three different hairstyles, three different revealing frocks - but always the same cheesy grin.
Welcome to one night in the life of Mariah Carey, superstar.
The 33-year-old American singer was determined to make an impression at the weekend World Music Awards in Monte Carlo.
And that meant one quick change after another.
Miss Carey arrived for the ceremony in a long, multi-coloured Versace chiffon gown which barely covered her ample cleavage.
But by the time she appeared on stage to receive an award for selling 150million albums worldwide, she was in gold lace and sequins.
And for a post-event party at Jimmy'z nightclub, she chose frock number three - a see-through pink mini which again left little to the imagination.
Her straight blonde coiffure had also developed some extravagant, tumbling curls.
Little wonder that she had earlier rejected a dressing room as being too small, causing the awards co-host Rupert Everett to be turfed out of his more spacious accommodation.
Source: Femail Online
Mariah dazzles with fashion turnaround
Mariah Carey's appearance in Monaco over the weekend seemingly had as many costume changes as her current Charmbracelet tour.
The voluptuous diva donned no fewer than three outfits during the World Music Awards – and the show's follow-up fests – showing a fondness for skimpy Versace.
She strolled up the event's red carpet wearing a colourful curve-baring creation by the Italian designer, her hair in a casual upswept do. But when it was time to pick up her jewel-encrusted Diamond award – made by jewellery house Chopard – she'd switched to a glittering gold dress and an I Dream Of Jeannie-style pony tail.
The 33-year-old star continued to turn heads at a World Music post-party, where she sported a sheer pink minidress as she mingled with fellow famous guests.
British fans who want to check out Mariah's talent – and her ultra-glam wardrobe – will get their chance when the singer arrives in the UK later this month, hitting Glasgow, Birmingham, London and Manchester with her tour.
Source: Hello! Magazine
Mariah Carey: Charmbracelet World Tour
Three years in the waiting, and Mariah is back to charm her fans. Only this time she’s taking her spectacular show outside London. Fans will be treated to a sensational show, both amazingly stimulating to the ears, and visually stunning and utterly entertaining.
You can see Mariah in Glasgow at the SECC on Saturday 25th October, Birmingham’s NEC Arena on Tuesday 28th October, London’s Wembley Arena on Thursday 30th Throughally, the Manchester Evening News Arena on Saturday 1st November.
The Charmbracelet Tour is sure to be sensational event featuring Mariah performing hits from her new album Charmbracelet including "Through The Rain," "Boy (I Need You)" and the recently released smash hit "I Know What You Want" with Busta Rhymes.
Mariah will also perform favourites from her unparalleled career that has so far spawned a record breaking 15 number 1 singles worldwide, including "Fantasy," "Heartbreaker," "Dreamlover" and "Hero." Matt Goss's edition as special guest marks the return of the original pop idol. Fans will be treated to a stage show that will feature a full 7 piece backing band and it’s promised there’ll be many surprises in store.
When asked how he felt about joining the superstar on tour Matt said, "I’m a massive fan of Mariah’s voice and to get back on stage at Wembley again with such a respected artist is a total honour."
Source: The Official Mariah Carey Website
News Tidbits
-- Check out Entertainment Tonight online for the chance to win an autographed copy of Mariah's album catalog.
-- Log on to windowsmedia.com to listen to Mariah's "U Like This" mega mix featuring the David Morales remixes of "Honey," "My All," "Dreamlover," "Fantasy" and "Always Be My Baby."
-- The Sun reports that Mariah list of demands continues to grow as her tour reaches Germany. Columnist Victoria Netwon says, "After I told you about her antics in Monte Carlo at the weekend, the diva insisted all the windows in her suite at the Regent Hotel in Berlin be blacked out. I just hope she remembered to tip the poor porters who lugged her 50 cases up to her room."
-- From The State: "Thanks to e-mail, I hear from the fanatics," said Billboard magazine's Geoff Mayfield. "I hear from the die-hard fans from your bigger artists. There are certain artists that really have big cults - Madonna has one, Mariah Carey has one. I don't recall anybody who's generated as much e-mail response as Clay Aiken has."
-- From MTV News: "This ain't no paltry remix EP. Mariah Carey gets it — bigger is better. So Remixes delivers exactly what its title promises: two discs full of reworkings of Carey's songs, including "Heartbreaker" featuring Da Brat and Missy Elliott, "The One" featuring Bone Crusher and "Thank God I Found You" co-starring Joe and Nas."
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