Exclusive Photos from the "Ellen" Taping
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11:47 PM EST Updated by Lynn
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Source: Kelly | Poody |
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Mariah and Randy: Who's Quizzing Who?
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10:02 PM EST Updated by Lynn
 With 15 number one hits and counting, multiplatinum superstar Mariah Carey's back and breaking free creatively with her 10th album "The Emancipation of Mimi." "You're getting the side of me that's carefree and fun," Mariah told her old friend, Randy Jackson, when he caught up with her to talk about her new music and his new fame, in a rare interview only for "Extra." And the pair has had a lot of fun working together over the years. Randy even shows up in Mariah's latest video. Randy: Are you good? Are you happy? Mariah: I am fantastic to be sitting with you darling. R: So M, this has been called your most revealing album to date. M: The personal side of me on this record is the fun side that you would know, or anybody who really knows me would know that when I say something silly, like (sings) "them chickens is ash and I’m lotion," we're having jokes, it’s fun. But M, (as Randy calls her) decided to have a little fun with Randy's "American Idol" fame by turning the interview tables on him. M: I remember when you told me about the show and I was in Italy and you said -- what did you say to me? It was early stages? R: I said, "I'm doing this show, I don't know, man, it's kind of interesting." M: And now I walk down the street with you and you get mobbed and I am like, "This is Randy Jackson, this is my Randolph Jackson," and I'm so proud of you and happy for you. How do you feel that fame has changed you from the Randy Jackson that we've known? R: I think I am still the same humble guy from the south. It's like, for me, I always say if I ever change, my mom would come out from wherever and beat the hell out of me: "What do you think you're doing, boy!?" So I'm still that guy. M: I am happy for you and your family, and its great. R: Ladies and gentleman, Miss Mariah Carey, yeah yeah! M: Yes, Randolph. R: Thanks, M. Mariah will be joining Janet Jackson, Barbra Streisand and Halle Berry, among other superstars, for a big party at Oprah's California estate this weekend. Download a video file of the Mariah and Randy chat (in MOV format) by clicking here. ______________________________________________________________
Source: Extra | David |
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Mimi: Around The World
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10:00 PM EST Updated by Lynn
USA--Today's Video Countdown Results: "We Belong Together" was #1 again on TRL and #7 on 106 and Park. Keep voting for the video by clicking the buttons to your right! --From FMQB: Mariah Carey "We Belong Together" - MC is now on over 100 stations and counting with over 3,000 spins (+945). New reports include Z100, KHFI, WIHT, WLAN, WXXL and WFKS. The Emancipation of Mimi scans another 197,000 units holding at #2 on SoundScan for a third week. MSN "Artist Of The Month." --"We Belong Together" was #1 on 96.5 KISS FM's High Noon Countdown and Interactive 7@Seven yesterday! "We Belong Together" is the most requested song in Cleveland, OH. Click on the links to request! --Mariah received great feedbacks from two popular Los Angeles radio shows yesterday morning: on the Steve Harvey's show on 100.3 The Beat, they played "We Belong Together" and Shirley, the co-host said, "I love that song, it's one of my favorites...Mariah Carey!". And Steve said, "Mariah, that girl can sing. She doesn't need to do club bangers, just go on stage and belt it out." On the Ryan Seacrest's show on 102.7 KIIS, they premiered "We Belong Together" and he called it "hot, hot hot...Mariah's back!" --We Belong Together has been added to New York's Z100 playlist. --"We Belong Together" is getting tremendous airplay in the Indianapolis area. You can't get away from the song, seeing as how the two major hip-hop/popular stations, WHHH 96.3 and RNOW 93.1 give the song many spins. --Mariah has been #1 on the Top 4@4 and Top 5@9 for the past two weeks on Houston, TX's R&B/Hip-Hop Station 97.9 The BOX. She's also fluctuated around the Top 5 on Houston's Party 104.9. --"We Belong Together" was #1 again on Philadelphia's top pop station WIOQ 102.1 during the request countdown! Also major airplay continues on 96.5 WRDW, 98.9 WUSL and 100.3 WPHI, rhythmic & urban stations in the Philadelphia area. The song is everywhere! Australia--"We Belong Together" is a contender for Channel V's 'Ripe Clip of the Week'. SMS "We belong together MARIAH CAREY" to 188 99 04 to vote for the song now! Ripe clips get played pretty much once every hour for the full week so this would be a huge, huge promo for the song. --The video to "We Belong Together" is on high rotation on MTV Australia and will premiere on Video Hits this weekend. It will also premiere on RAGE after the Top 50 countdown on the weekend as well. Canada--"The Emancipation Of Mimi" falls one spot from #10 to #11 on the album chart. --"We Belong Together" debuts at #25 on the CHR/Pop airplay chart this week. "It's Like That" peaked at #9 on the chart for 2 weeks and fell quickly. India"It's Like That" is Mariah's biggest hit in Mumbai after Daydream. The song is #7 on the local radio stations and the album "The Emancipation of Mimi" has been sold out at major stores. Also the clubs are playing the Fat Joe mix to "It's Like That" and people have been requesting it like mad. "We Belong Together" is also played a lot on VH1 India. JapanOricon Combined Album weekly Top 30 chartFirst week: No.2 (49,456 units) Second week: No.3 (32,969 units) Third week: No.4 (29,718 units) Fourth week: No.6 (23,744 units) Fifth week: No.12 (17,670 units) Sixth week: No.9 (14,953 units) Total sales: 168,510 units The album is also No.4 on the Monthly Top 30 chart. On the Oricon International Album weekly chart, the album has spent 4 weeks at No. 1, dropped to No. 5 and now spends its sixth week at No. 4 on the chart. Singapore"It's Like That" rises up to #3 from #5 this week at Power98 and stalls at #9 at Perfect10. "The Emancipation of Mimi" stands at #8 on RIAS Chart. Hong Kong"It's Like That jumped from #3 to #1 on CRHK 903 Channel - Internartional Chart. CRHK 903 is the most popular channel for youngsters in Hong Kong. Philippines--MTV Philippines' chart show, MTV Diyes recently featured the Top 10 Mariah Carey Club Bangin' Videos. Making it in the countdown are: (10) Loverboy (Rap), (9) You Make Me Wanna, (8) Always Be My Baby (Remix), (7) Sweetheart, (6) I Know What You Want, (5) It's Like That, (4) Boy (I Need You), (3) Heartbreaker (Remix), (2) Honey (Bad Boy Remix) and (1) Fantasy (ODB Remix). --Over at rival music channel MYX, Mariah Carey had back-to-back entries in its weekly Top 20 chart show, MYX Hit Chart. "It's Like That" ranked #11 while "We Belong Together" entered the charts at #8. "We Belong Together" was the week's highest new entry. --The album "Emancipation of Mimi" continues to top the sales at Odyssey Records, Philippines' biggest record store. The album has been in stores for a month already. -Channel [V] gives Mariah the Chosen One treatment this month of May. She makes special appearances on Video[Scope] with a series of her #1s including the current hot single "It's Like That" (repeats throughout the week), [V] "Special Introducing Mimi" and "Mainstage: Mariah Carey Around The World." Click here to view the complete airtime schedule. New ZealandAttention New Zealand fans, Mariah is not getting much radio airplay in New Zealand. Find your local radio stations' request lines here and request for Mariah now! France"It's Like That" is currently at #2 on Hit Skyrock Planetesky. French fans, please request "It's Like That" by clicking here. Votes are accepted twice every hour. El Salvador--"It's Like That" continues to rise, it's now up one spot from #4 to #3 (peak) on El Salvador's largest radio station La Femenina 102.5FM's Las 11 Del 11. Also, "We Belong Together," which was just added to the station's playlist has been played a lot this week. El Salvador's fans, keep on requesting for "It's Like That" to make it #1 and also to request for "We Belong Together" so it can enter the station's hit list soon. Call (2)224-2411 or send a text message to 1025 to request the songs now! ______________________________________________________________
Source: Mariah Daily | Chris | Matthew | Andrew | Edward | agentm87 | Stephen | Tushar | bluesky | Lawrence | OdyMay | Nick | Sylvain-Mariahfanclub.com | Shayne | Michael | Eric | Roland | Pip and Pow |
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"Mimi" generation
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1:26 PM EST Updated by Liron
Those weaned on Mariah Carey should feel emancipated by her return to form -- and her escape from Whitney's sad fate. Before I moved to New York City in 1997 and gave up my car, I was one of those people who cherished commercial radio. My high school years were spent chauffeuring friends around in my Chevy Blazer, compulsively changing the dial between Baltimore's pop station B104 and Washington's unmatched alternative channel, 99.1 WHFS. In college, even as DJs were formatted out of existence, I tuned in to the Albany rock channels in that same trusty truck whenever our campus station got too earnest or obscure (which was often). I was always a sucker for the hits -- my last year with the radio left me indelibly marked by the Wallflowers' "One Headlight" and Third Eye Blind's "Semi-Charmed Life" -- even as I mail-ordered records from Teenbeat, Simple Machines and other tiny labels. To my friends I was a walking contradiction, a devotee to manufactured pop and indie rock in equal measure. And, to quote Whitney Houston, they didn't even know about my greatest love of all: Mariah Carey. I haven't stayed in great touch with Mariah -- like I said, I pretty much stopped listening to commercial radio eight years ago -- but the memory of her from the early '90s has haunted the entire decade that has made up my 20s. As a teenager I spent countless afternoons after school, alone in my parents' living room, belting out "Vision of Love" as the video played on VH1. (As a little, little girl riding in the "way-back" of my parents' station wagon, I dreamt of being discovered by a radio executive because I knew every word to every song in the top 10 of Casey Kasem's weekly top 40. As a 16-year-old with a decent voice, I subconsciously believed that hollering along to "Vision of Love" was going to get me somewhere -- if not a record contract, then a boyfriend enchanted by my somewhat agile voice.) "Someday," Mariah's incredibly upbeat revenge hit that played on B104 at least once every hour of my junior year of high school, summed up my teenage angst and anger better than any Cure song could. And "Love Takes Time" -- has any breakup ballad ever put it better? Around then, my true loves were probably Jane's Addiction, New Order and the Beastie Boys' "Check Your Head." But Mariah, she got to me. "But the catsuit!" exclaims a friend, recalling her outfit in the "Vision of Love" video. OK, sure. But compared with other manufactured divas of that era, Mariah was the real deal. She wrote her own songs! She could really, really sing! For most of the late '90s, I watched from afar as Mariah coasted along, putting out more and more ballads and, eventually, a collection of greatest hits. Her outfits got worse and worse but, I must admit, I loved seeing her defiantly busting out of her clothes all the time on billboards around downtown. (Mariah is no Kate Moss.) However, when she suffered a very public breakdown in 2001, following her disastrous screen debut in "Glitter" and the tanking of the film's '80s-throwback soundtrack, I quickly snapped to, and rushed back to her side. The press (and most of the public, it seemed) didn't have much sympathy for Mariah. I understood why. The year before, she had signed a record-setting $80 million, five-year contract with Virgin records. (The deal was later dissolved.) She had been the bestselling female performer of the 1990s, with 13 No.1 singles and more weeks spent at the top of the Hot 100 singles chart than any other artist in history. She was famous and beautiful; she was, obviously, rich; she dated Yankees shortstop cutie Derek Jeter. It was easy to think that 2001 had brought Mariah's day of reckoning: a 10-year run was enough; it was her turn to crash and burn and fade. Months later, when she finally spoke about the breakdown, she attributed her bizarre behavior -- performing an impromptu striptease on MTV, writing rambling, suicidal messages on her Web site -- to exhaustion. But it was fair to wonder, as many people did: Can someone as wealthy and successful as Mariah Carey really be more exhausted than your average fan? I caught Mariah on "Oprah" doing damage control post-breakdown, around the time that her rebound record "Charmbracelet" came out. I was with Oprah: I felt sorry for the girl. On the show, she was surprisingly articulate and credible; when she described shuttling back and forth between L.A. and New York while making "Glitter" -- and suffering from insomnia to boot -- her breakdown seemed inevitable. Poor Mariah, I thought, spending all those nights in the studio and on red-eye flights. As she sang her inspirational hymn "Through the Rain," and explained that it was all about her personal struggle to keep going, to survive, I teared up a little. She's just a hard-working woman with a dream, I thought. She gives so much money to the Fresh Air Fund that they named an entire campsite after her. She doesn't have a husband and spends most of her time with her mom. Why do people so love to hate her? "Charmbracelet," unfortunately, was a throwaway -- a record rushed into production with the hopes that it would erase "Glitter" and the breakdown from minds of her fans. It bombed (though not quite as badly as "Glitter") and, in its wake, things continued to look grim for Mariah's future. So news earlier this year of a second comeback, one saddled with the improbable title "The Emancipation of Mimi" (after a nickname used by those closest to Mariah), was greeted with a groan by many, including me. A few weeks ago, when "Mimi" was hitting the stores, I held my breath and said a little prayer for Mariah, expecting the worst. And when the record debuted at No. 1, I quickly exhaled. The songstress of redemption and healing had done it. As she hopefully sang a few years ago, she "made it through the rain." Mariah was back on top. "Mimi" had a very strong first week of sales, moving 404,000 copies, and it's currently sitting at No. 2 (behind the Boss) as it approaches its first million sold. The critics, by and large, are liking it (and I am, too). The first single, "It's Like That," didn't get too far up the charts, maybe because the song is a fun but bland hip-hop throwaway that could have been sung by anyone. Indeed, Mariah's voice here, and on a few other tracks, is barely recognizable as her own. The second single, a slow jam called "We Belong Together" that cuts a bit closer to the classic Mariah mold, is faring better, hanging in at No. 7 on the Billboard Hot 100 singles chart. "Mimi" makes it clear that Mariah's voice is not what it used to be. The record holds a few signature Mariah flourishes, but mostly the diva is subdued here, playing it safe by avoiding the highest of her five octaves and staying within a tighter vocal range. It's a little mean to say, but I honestly cringe at the thought of the woman on "Mimi" attempting the feats Mariah pulled off on songs like her 1992 MTV Unplugged cover of the Jackson 5's "I'll be There," or the triumphant pop love song "Emotions." As she ages, perhaps this is the formula for success. At 35, less of Mariah is actually more. It's a sad fact of aging, but I'm very grateful she and her smart producers (including Jermaine Dupri and the Neptunes) recognized it. I'm impressed. Just a year ago it looked as though Mariah was destined to be the next Whitney Houston. Remember her? Mariah's soul sister, with her ex-star husband and her drug problems? Thanks to the tabloids and 10 o'clock news, an entire generation knows Whitney as a supposed crack addict instead of the girl in the tank dress singing into the telephone "How will I know if he really loves me?" or the poised young woman who covered millions with goose bumps when she covered Dolly Parton's "I Will Always Love You" for her movie "The Bodyguard," which seemed destined to make her a major movie star. Although she's got an active contract with Arista and put out a full-length record in the late '90s -- one that garnered modest critical and commercial success -- it seems unlikely that she'll ever reclaim her former glory. Should she even try? The public is unforgiving; to most of us, Whitney Houston seems like a lost cause. Mariah, on the other hand, appears to have been found, yet again. Scoff as you like at the title of her new record, but Mimi has indeed been emancipated. And I, for one, am delighted. --By Hillary Frey ______________________________________________________________
Source: Salon.com |
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Download Mariah's Appearance on 'Jay Leno'
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6:11 AM EST Updated by Lynn
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Source: Mariah Daily |
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"We Belong Together" - Greatest Airplay Gainer, #3 on Hot 100
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3:34 AM EST Updated by Liron
"We Belong Together" jumps four spots to No. 3 in its 6th week on the Billboard Hot 100 Singles Chart (Issue Date: May 21, 2005). On the Billboard Hot 100 Airplay chart, "We Belong Together" jumps from No. 6 to No. 2 with a 26.6 million increase in audience and 2,678 spin increase. Total Audience: 105,362,000. This makes "We Belong Together" the Greatest Gainer / Airplay this week (2nd time in 3 weeks!) Mariah's last single that reached No. 2 on the Billboard Hot 100 Airplay chart was "Always Be My Baby" in 1996. The two songs ahead of "We Belong Together" are: 1. Hollaback Girl, Gwen Stefani (#1 on Hot Digital Songs) 2. Oh, Ciara Featuring Ludacris (#1 on Hot 100 Airplay) --From Billboard Daily Music News: Both Stefani and Ciara need to watch out for Mariah Carey, whose "We Belong Together" makes a bold 7-3 gain on the Hot 100. The chart's greatest gainer at radio also jumps 6-2 on Billboard's Hot 100 Airplay list. ______________________________________________________________
Source: Billboard Magazine | bks |
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